Defining Collections in a Digital Research Archive.

Rachel Wilson and I would like to take up a discussion around what happens to our ideas about off-line collections when they take life online. This is something that we are nutting out as part of our work on The Screen Media Research Archive (an ANDS-funded project that aims to establish a national management standard for the digital archiving of higher education screen media research produced in a variety of formats). We would like to look at some of the underlying conceptual challenges for defining ‘collections’ in this context, including: What protocols already exist for defining collections by provenance, materiality or subject and how do these apply (or not) to a research archive? Are donated collections static by definition? What level of granularity applies to collections within collections? Are there a minimum/maximum number of items required to form a collection? Should collections describe items that are not currently included (that have been de-selected for example)? What value is there in defining collections in terms of their users rather than the items per se?

Deb Verhoeven

About Deb Verhoeven

On working with humanities databases, was told by a friend that she had gone over to the 'dark side'. But once there she found her eyes adjusted quite quickly.
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